b. 1982 in Beijing, China, Currently works and lives in Beijing, China
2007 B.F.A. Sculpture department (Third Studio), 
Central Academy of Fine Arts (CAFA), Beijing, China
2016 Master of Art, Central Academy of Fine Arts (CAFA), Beijing, China

Solo Exhibitions

2018
Hope, The Bunker, Beijing, China
Xin Yunpeng Solo Exhibition, de Sarthe Gallery, Hong Kong

2017 Xin Yunpeng Solo Exhibition, de Sarthe Gallery, Beijing, China
2016 All men are created equal, Hunsand Space, Beijing, China
2014 No News Is Good News, Inside-Out Art Museum, Beijing, China

2013
I Don’t Know Where to Take You Yet, A4 Contemporary Arts Center, Chengdu, China
Hello, World, Yan Club Arts Center “Look Art Space,” Beijing, China

2011 Take Care, Chun Cui Art, Beijing, China
2010 51 m2: 8# Xin Yunpeng, Taikang Space, Beijing, China

Group Exhibitions

2018
Stop Making Sense, Hunsand Space, Beijing, China
Oscillation – New Media Art Exhibition, 33 Contemporary Art Centre, Guangzhou, China

2017
Without Leaving Any Traces, Mocube, Beijing, China
Reversal Ritual, de Sarthe Gallery, Hong Kong

2016
This Future of Ours, Red Brick Art Museum, Beijing, China
Exotic Stranger curated by Bao Dong, Galerie Paris-Beijing, Beijing, China
Chinese Whispers: Recent Art from the Sigg & M+ Collections, Kunstmuseum Bern, Bern, Switzerland

2015
DRUG – Group Exhibition of the Chinese and Foreign Artists, Hunsand Space, Beijing, China
Romancing Relevance: A Remix of Sameness,
Art Museum of Nanjing University of the Arts, AMNUA No.0 Hall, Nanjing, China
Live At, Intelligentsia, Beijing, China

2014
Polyphony II – Ecological Survey of Chinese Art – Beijing,
Art Museum of Nanjing University of the Arts, Nanjing, China
Nihilistic Belief, Antenna Space, Shanghai, China
A Room Not of One’s Own, Space Station, Beijing, China
Too Smart to be Good? The 7th A+A, PIFO New Art Studios, Beijing, China
You Are Damn Wrong, Rice University, Houston, USA

2013
@me, My Own Visibility, Shijiazhuang Art Museum, Shijiazhuang, China
Groundwork Community, Taikang Space, Beijing, China
ON | OFF: China’s Young Artists in Concept and Practice,
Ullens Center for  Contemporary Art (UCCA), Beijing, China

2012
Sensation, V Art Center, Shanghai, China
Listen, 798 Art District, Beijing, China
The Girl, Xi Wang Art Museum, Beijing, China

2011

XXX – Next 10 Year of Contemporary Art, Today Art Museum, Beijing, China
Image, History, Existence – Taikang Life Fifteenth Anniversary Art Collection Exhibition,   National Art Museum of China, Beijing, China
51 m2: 16 Emerging Chinese Artists, Taikang Space, Beijing, China
It’s All True, Morono Kiang Gallery, Los Angeles, USA
I Am Here Beside Kai Tak Waiting for You!, 1a Space, Hong Kong

2010
The Market – I’m, Beijing Center for the Arts, Beijing, China
Move, Morono Kiang Gallery, Los Angeles, USA
Our Maps, Google Map; IONLY; Li-Space, Beijing, China

2009
Poetic Graces, Sand factory at the west side of Nai Xi Cun Kou,
Lai Guang Ying North Road, Beijing, China
Blank Making Life, Inside-Out, Beijing, China
Hey Market, Song Zhuang Art Museum, Beijing, China
The Market Summer 2009 – In the Making, Beijing Center for the Arts, Beijing, China
Domino Plan in the Space, Chen Ling Hui Contemporary Space, Beijing, China
Rave Forum, Li-Space, Beijing, China
Carry on Items – Contemporary Art Exhibition, Oriental Vista Gallery, Shanghai, China
Spectacle – To Each His Own, MOCA Taipei, Taipei, Taiwan
Domestic Anchor, Vanessa Art Link, Beijing, China

2008
We Shall Overcome, Li-Space, Beijing, China
First Exhibition, Li-Space, Beijing, China
Hunting Birds, Tang Contemporary Art, Beijing, China
The Borders of Utopia, Today Art Museum, Beijing, China
My Seven Days, Osage Gallery, Manila, Philippines

2007
Trust the Future, TS1 Art Museum, Beijing, China
¥％⋯⋯@¥！＃饿¥日, Tang Contemporary Art, Beijing, China

Special program 2017 Yanqi Lake, Film by Artist, Beijing, China

Website

No information


1982年出生于中国北京，现工作和生活于中国北京
2007年中央美术学院雕塑系第三工作室本科学位，北京，中国
2016年中央美术学院硕士学位，北京，中国

个展

2018

《希望》，掩体空间，北京，中国
《辛云鹏个展》，德萨画廊，香港


2017《辛云鹏个展》，德萨画廊，北京，中国
2016 《人人生而平等》，拾万空间，北京，中国
2014 《有个好消息也有个坏消息》，中间美术馆，北京，中国

2013 

《我还不知道将你带到何方》，A4 当代艺术中心，成都，中国
《Hello，World》，仁艺术空间“地一现场”，北京，中国

2011  《慢走》，莼萃空间，北京，中国
2010  《51 m2：8# 辛云鹏》，泰康空间，北京，中国

群展

2018  

《不作意义》，拾万空间，北京，中国
《游移——新媒体影像艺术展》，33当代艺术中心，广州，中国

2017 

《无行地》，墨方空间，北京，中国
《仪式逆转》，德萨画廊，香港

2016  

《我们的未来》，红砖美术馆，北京，中国
《陌生之外》，巴黎北京画廊，巴黎，法国
《中国私语—乌利·希克与M+希克收藏展》，伯尔尼美术馆，伯尔尼，瑞士

2015  

《第六颗子弹—中外艺术家联展》，拾万空间，北京，中国
《浪漫的相关性：同一性的混搭》，南京艺术学院美术馆，零空间，南京，中国
《活的》，智先画廊，北京，中国

2014  

《复调II─中国艺术生态调查-北京站》，南京艺术学院美术馆，南京，中国
《相信是空无一物》，天线空间，上海，中国
《一间不属于自己的房间》，空间站，北京，中国
《聪明坏了─A+A第七回展》，偏锋新艺术空间，北京，中国
《错的是你》，莱斯大学，休斯顿，美国

2013  

《@me 能见度》，石家庄美术馆，石家庄，中国
《基础部》，泰康空间，北京，中国
《ON|OFF─中国年轻艺术家的观念与实践》，尤伦斯当代艺术中心，北京，中国

2012  

《艺用情感展》，视界艺术中心，上海，中国
《传说》，798艺术区，北京，中国
《有个姑娘》，睎望艺术馆，北京，中国

2011  

《XXX─下一个十年的当代艺术》，今日美术馆，北京，中国
《图像历史存在——泰康收藏展》，中国美术馆，北京，中国
《51 m2: 16位年轻艺术家》，泰康空间，北京，中国
《这一切都是真的》，Morono Kiang画廊，洛杉矶，美国
《我喺启德机场隔离等你话我知！》，1a空间，香港

2010  

《青年艺术市集─我是》，天安时间当代艺术中心，北京，中国
《Move》，Morono Kiang画廊，洛杉矶，美国
《Our Maps》，谷歌地图；东方视觉“嘿！社会”；荔空间，北京，中国

2009  

《空白展2009制造生活》，中间艺术馆，北京，中国
《嘿市—发现当代艺术新价值》，宋庄美术馆，北京，中国
《2009 BCA夏季艺术市集─全手工》，天安时间当代艺术中心，北京，中国
《空间的多米诺计划》，陈绫蕙当代空间，北京，中国
《谈话就是运动》，荔空间，北京，中国
《随身携带—中国当代艺术展》，Oriental Vista画廊，上海，中国
《各搞各的—歧观当代》，台北当代艺术馆，台北，台湾
《内在支柱》，华艺莎艺术中心，北京，中国

2008

 《过来！—中国当代艺术展》，荔空间，北京，中国
《第1展》，荔空间，北京，中国
《打鸟》，当代唐人艺术中心，北京，中国
《乌托邦的边界》，今日美术馆，北京，中国
《我的七天》，奥沙画廊，马尼拉，菲律宾

2007

 《相信未来》，宋庄TS1美术馆，北京，中国
《¥％⋯⋯@¥！＃饿¥日—当代艺术展》，当代唐人艺术中心，北京，中国

特別項目  2017年，《雁栖湖》，艺术家电影，北京，中国

个人网站

暂无

xin yun peng
辛云鹏

辛云鹏2.jpg

works

 

Not Important 不重要 (2010)







Installation 装置

Metal, Join-ball, plasterboard and mixed media, etc. Dimension Variable
金属，万向轴承，石膏板，综合材料，等。尺寸可变

This installation was shown in the Taikang Space exhibition “51 square meters - 8# XinYunpeng”.

In a project space, Xin Yunpeng used a bearing to hang a “ceiling” title from side to side using join balls. The height of the ceiling at the center of the room was the same as of the height of the artist.

此作品为泰康空间“51 平方——8# 辛云鹏”的个展项 目，

作者在项目空间内，用万向轴承悬挂起一个新的“天花 板”，天花板如同悬浮在空中，唯其中心被钢索牢牢抓 住，如同“跷跷板”一样——受外力可缓慢倾斜摆动。

xinyunpeng-Not Important.jpg

Installation Shot: https://vimeo.com/349324285 Password: 007

xinyunpeng_Handsame.jpg

Handsame 靓仔 (2011)

Video 录像

Single channel video, Sound, Color, 6’34”, Loop. 单频录像，有声，彩色，6分34秒，循环播放。

“Handsome” is a video made by Xin Yunpeng during a residency program in Hong Kong. In the video we see the artist riding a taxi with a steering wheel that he brought from Beijing, using it as if he was the driver on the left side of the car. Everything else seems normal.

在香港驻留期间，作者使用从北京带去的方向盘道具，在一辆的士的 副驾位置“表演”开车，并以摄影机构图，裁剪真实的士司机的位置， 只拍摄他在“正常的驾车”。

 

Installation Shot: https://vimeo.com/349245783 Password: 007

20140128 (2014).jpg

20140128 (2014)

Fiber glass, motor, wood, metal, etc.
不饱和树脂，步进电机，金属，木，等。


Each sculpture 90*90*200cm(Includes base), Installation dimensions variable.
每个雕塑(包含底座)90*90*200cm，装置尺寸可变

Two cowboy statues stand in a gun duel. At first glance, the piece echoes a classic American Western movie. Nonetheless, the two sculptures are actually slowly rotating in different directions. As the sculptures slowly turn, the intense sense of adversary disappears and is replaced by more complicated alternatives.

两个牛仔决斗的雕像，它们被相对地放置在合理的位置——以构成二元冲突的统 一。它们下方的底座却是缓慢转动的，雕像以难以识别的转速渐渐挣脱了原始的 对立的关系——变化为孤立的或是共同的存在。然后，随时间的流逝，双方回到 戏剧性的原点，再被这周而复始地程序变得复杂难解。

 

Installation Shot: https://vimeo.com/349245006 Password: 007

20130329 (2014)

Video Installation
录像装置

Dual channels video，color and sound 0’27”,
双频录像，27秒，彩色，有声，循环播放

Same screens, 1:1.77 frame，Dimensions variable.
loop 相同屏幕，1:1.77 画幅，尺寸可变。

The video shows Xin Yun-peng recording himself kicking snow down a tree. The two-channel video is displayed on two screens installed side by side. At first glance, it seems like the two screens broadcast the same scene at the same time. However, the artist made sure that the two videos are not synchronized which create a dislocation in the narrative between the two screens. The video seems normal, but at the moment when the snow falls the videos will be shown to not match.

此作品是一段踢落树上积雪的录像，辛云鹏以1:1.77画 幅将同一时间发生的动作拼接在两个屏幕内播放，而不去同步双屏间的时间。因顺应播放媒介的弊病，这种误差在循环中被不断的扩大，上演出具有异质性的时间的体验。

20130329 (2014).jpg

Installation Shot: https://vimeo.com/349246095 Password: 007

20140828(2014)

Video
录像

Single-channels video, color, sound, 25’06”, loop. Dimensions variable.
单屏录像，彩色，有声，25分06秒，循环播放。

The film begins with a single gunshot and the actor falling to the ground. The artist through a still camera records a 20 minutes faked death. As the director of the film, the artist did not give his actor any instruction to stop, the actor on the ground eventually fell asleep while waiting.


录像中的表演由一声枪响——演员应声倒地开 始，辛云鹏通过固定镜头记录下长达二十多分 钟的“死亡”，却没有给演员任何停止的口 令——以致于躺在地上的演员在等待中睡着了

20180828(2014).jpg

Installation Shot: https://vimeo.com/349283995 Password: 007

144 m² (2017)

Installation 装置


Muslim Carpet, etc. Dimension variable
穆斯林地毯 ，等。 尺寸可变

For 144m2 Xin references his Islamic Hui roots and layers a large Islamic style carpet for Salah onto
a room of the gallery. As the carpet is too big for the space it completely engulfs the room, thus the carpet not only lies on the floor but also runs across the walls. Here Xin again plays with questions
of space and borders. The carpet’s design also hints at another interpretation, patterned across the carpet are a series of doors that traditionally dictate the position of prayer towards Mecca and the Kaaba. However, on entering this room the viewer becomes disorientated, in turn losing the sense of spatiality that the carpet usually enables. This spatial confusion directs the viewer to Xin’s ruminations on the propensity of spaces and borders, both physical and non-physical, to dictate our behavior and foster interpersonal difference.

作者将大于房间的清真礼拜毯在空间内展开，毯子的铺设迫于实体空间的有限，被迫延伸， 爬升，或褶皱。地毯上具有方向性的图案(门洞)因为这种限制在三维的空间内失去了原有的统一 性，并使得原本一致的方向感在空间内变得迷惑。

144 m² (2017)1.jpg
144 m² (2017)2.jpg

母亲 Mother (2017)

Video Installation
录像装置

Film installation, single channel video, HD, color, audio, 11’30”, Loop.
1:1.33 frame, double channel stereo, two nearfield monitoring speakers, two far-field monitoring speakers, speaker support, sound- absorbing material, etc.

单频影像，HD，彩色，有声，11分 30秒，循环播放。 1:1.33画幅，双声道立体声，近场监听音箱 2支，远 场监听音箱 2 支，音响支架，吸音材料，等。

With a fixed camera, the video records a thunderstorm through a window. The audio has been heavily edited and mixed in post-production. The whisper of prayer heard in the video comes from the artist’s mother and is played alongside sound effects that replicate the noise of standing and sitting while she prays. The video is displayed in the gallery amongst acoustic panels so as to construct an immersive sound environment. This allows audiences to hear the details of the sound. Making use of a long take and a complete narrative structure, the video displays the religious life of the artist’s mother and its emotional resonance in Xin Yunpeng’s life.

影像使用固定镜头，透过窗户拍摄一段雷雨的景象，再 通过后期混音，将作者母亲祈祷的微弱细语混录在影像 中。在展厅中，通过大量的隔音板营造精致细腻的监听 环境，使空间内影像装置具有聆听每一个细节的可能。 长镜头与完整的叙事结构展现了影片中母亲角色的宗教 生活以及这种宗教生活在辛云鹏日常生活中的温情。

母亲 Mother .jpg

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